剧情介绍
卧龙战警是一部1992年上映的动作片，由比尔·杜克执导。电视剧免费全集在线观看免费 - 海洋电影收集于网络并提供免费在线播放 利兹与青鸟 龙珠剧场版：摩诃不可思议大冒险 森林好小子 新世纪福音战士 慢性自杀 金玉满堂2013 双世美姬 在人海中遇见你 文豪与炼金术师 ~审判的齿轮~ 深夜！天才傻鹏 我和我的时光少年 只要你说你爱我 第41号女囚房 爱情的选择 水手长的故事 科学救援组 哦，我的青蛙王子 铁道员 辛白林 循环恋爱中 熊出没·逆转时空 惊恐小镇 舍身技 真人快打 反击 野山百里香 两个婚礼一个葬礼 马场风云国语 外星变异 死刑2021
Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop? Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller. The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narration/voice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters. Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppie/violence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with "black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge. However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge. 收起全部
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