剧情介绍
造物的奇迹是一部1925年上映的科幻片,由Hanns Walter Kornblum执导。电视剧免费全集在线观看免费 - 海洋电影收集于网络并提供免费在线播放 无主之人 飞侠哥顿 植物学家的中国女孩 海怪 无影终结者 我的女神室友斗娜 美女总裁爱上我 惊奇的传闻第二季 星际之旅:木星计划 盒装美人 娘家的故事2 魂系冰球 高更:爱在他乡 天剑绝刀国语 凶眼1987 超越时间线第三季 偶然互换的一天 Perempuan Bergaun Merah 不敢说爱你 法外风云粤语 房主 灵魂相锲 晚开的盛花 绿岛金魂 轮回七次的恶役千金,在前敌国享受随心所欲的新婚生活 三千日元的使用方法 团圆粤语 水上乐园杀戮 神秘世界历险记3 不朽的你
Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey. In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed. The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences. 收起全部
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